• artworks
    • bio
    • exhibits
    • resume
    • contact
    • video demo
  • Workshops
  • Blog: Works in progress
Menu

Lori Elliott-Bartle Studio

paintings, mixed media, handmade journals
  • artworks
  • About
    • bio
    • exhibits
    • resume
    • contact
    • video demo
  • Workshops
  • Blog: Works in progress

Works in progress, where I share what I'm working on and what I'm thinking about, and also show my Instagram feed. 

works in progress: paintings on paper, some of which will get some collage elements

#oilpainting #mixedmedia #omahaartist #nebraskaartist #inspiredbyprairie #lebstudio
Please join me  Thursday for the  @castlecathedraloma art walk, featuring the opening reception for the Cathedral Arts Project invitational show at Sunderland Gallery, and check out two brand new collage paintings from me, including Sandhills Almanac
playing around in my sketchbook with a new palette from @theartofsoil that was discounted because the rounded paint pods prevent the lid from closing completely. That will be an easy fix -- I'll  use the pigments until they're flush with the palette
This painted ceramic "river-stone," a 6" component of the 23-foot-long installation "River" made with collaborators @joffebouska and @tomquestpottery, fell and broke. Over the years, several of these ceramic "stones&quot
Sketches are great ways to practice seeing, drawing and recalling. The flaws and mistakes always appear glaringly obvious to me, but I'm usually glad I spent the time making something, flaws and all. This sketch is based on a view at Toadstool Geolog
It's great to know that my paintings arrived and are now on display in Dhaka, Bangladesh as part of the @artinembassies  program. Along with the letter, here is a detail shot of "In the Tallgrass Prairie Preserve," a 12x30" painting on
The main reading room, Library of Congress, Jefferson Building.

The main reading room, Library of Congress, Jefferson Building.

libraries

October 16, 2019

As a child with an independent spirit and a bike (a green Schwinn with a white banana seat, white plastic basket with flowers on the front and streamers flying from the handlebars) some of my favorite memories involved pedaling a few blocks to the library in Clearwater, Kansas. It was a cozy place where I earnestly checked out volumes of a children’s encyclopedia and later Nancy Drew and Bobbsey twins mysteries. It’s where I found Farewell to Manzanar, my first introduction to the Japanese internment camps and the idea that I could learn something important by understanding the experiences of people of all backgrounds.

I’d fill my basket with books, proudly using my library card. I participated in summer reading challenges most summers and recall one season where the prizes were small illustrated cards describing tribes of Plains Indians that we laced together into a little book. My mom, sister and I sometimes would visit the much larger collection in downtown Wichita, where Mom worked at a nearby accounting firm. I so loved going with her to the multi-story building with windows overlooking downtown and filled with so much knowledge, so many ideas!

Even though I’ve visited Washington DC a number of times, I had never been to the Library of Congress. I knew of its collections and years ago researched ways to get prints of photographs taken by Dorothea Lange and others who made photos during the Depression and through the federal Works Progress Administration. One recent gorgeous fall day, I rode the Metro to the National Mall and then rented a Capital bike to pedal around the monuments. It was the perfect way to cover some miles and enjoy the views. As I docked the bike near the Smithsonian Metro stop, I saw a banner announcing the USDA’s farmer’s market. Among the produce, meats and eggs were many booths that offered prepared foods, and clearly it was a lunch destination for residents and tourists alike. I had one of the best crab cake sandwiches ever, sitting in the shade of a small tree near a tent set up with tables and chairs. Baskets held picnic blankets for people to roll out. Several diners tossed bean-bags in a corn hole game decorated with vegetables. After a scoop of plum sorbet made from local fruit, I was ready to go to the library.

Renting a Capital Bike offered a great way to see the monuments in DC.

Renting a Capital Bike offered a great way to see the monuments in DC.

I got another bike and pedaled to Capitol Hill. After docking the bike, I walked to the Jefferson Building of the Library of Congress, learned how to get a library card (called a reader identification card) and promptly wound my way through several lower levels to get to the registration area. A few minutes later, I had my laminated photo ID good for two years! I hadn’t come with a particular research agenda, so I wandered the incredible building, took photos, explored exhibits and then made my way back to the reading room with my card just to browse the stacks, pull a collection of feminist essays and find a lighted desk to sit a few minutes to read. I was filled with joy and humility to read in this temple of knowledge. I’ll have a list the next time I visit.

stunning architecture and mosaics honoring scholars of the past at the Library of Congress, Jefferson Building

stunning architecture and mosaics honoring scholars of the past at the Library of Congress, Jefferson Building

+y1OPL8QRT+iLmttaRQmjw.jpg
In teaching, learning, public libraries Tags library, libraries, public libraries, books, research, reading, literature, knowledge
Sage was the perfect mount for exploring around Lake McConaughy

Sage was the perfect mount for exploring around Lake McConaughy

Connections and intersections

July 17, 2019

After several days working in the studio during my residency at Cedar Point Biological Station, I was eager to pedal a few miles. I loaded my trusty commuter, Sage, onto the rack on the back of my van and drove over the Kingsley Dam into the state recreation area around Lake McConaughy. I pedaled along the lake road, grateful that much of the Independence Day crowd had left the area. It was a warm, windy morning and the route offered a few small climbs on the way to the LeMoyne entrance into the park. I enjoyed seeing blooming wildflowers, waving grasses and a single mule deer watching me from under a canopy of trees. After my ride, I drove around the Lake Ogallala state park, seeing a girl running to launch a rainbow-fish kite and watching the spray at the Central Nebraska Public Power and Irrigation District facility.

As I drove back toward Cedar Point, I turned to look around the Hilltop Inn property. As I was reading the marker noting the dates of the dam’s construction, I realized the view was very close to that of the Ogallala camera taking photos for the Platte Basin Timelapse project. As a longtime admirer of Michael Forsberg and Michael Farrell’s photography, videography and prairie advocacy, I was excited to know I was near a camera that was gathering images for this interesting compilation. I looked for the camera and found it. It felt like a celebrity sighting! I suppose it just shows what a geek I can be about the Great Plains.

Plaque at Kingsley Dam noting it was completed as a public works project in 1941 when Franklin D. Roosevelt was president. The view was familiar.

Plaque at Kingsley Dam noting it was completed as a public works project in 1941 when Franklin D. Roosevelt was president. The view was familiar.

and there’s the camera, mounted on this tower, taking images for the Platte River Basin Timelapse project

and there’s the camera, mounted on this tower, taking images for the Platte River Basin Timelapse project

On Saturday, I left Cedar Point and stopped in Kearney for lunch at Tru Cafe, strolled down a few blocks downtown and into the Museum of Nebraska Art to see the exhibit “A River Runs Through It.” For so many reasons, including my ongoing collaboration around river themes with Marcia Joffe-Bouska and Tom Quest, I was interested in seeing the exhibit. And what a treat it was to see photos by Michael Farrell as part of the main exhibit and an entire adjoining gallery devoted to the Platte Basin Timelapse project.

During a storm earlier in the week, Kearney saw intense rainfalls and resulting flooding. This year has been filled with stories of rivers overflowing their banks in Nebraska, and those images and ideas will certainly affect future art-making, although I’m not quite sure yet what shapes they will take. Look for some of those explorations in an expanded exhibit of “Rivers,” which will travel to Norfolk Arts Center in December and will be on display through February 2020.

In art, artist residency, painting Tags art process, art, art business, River collaboration, Collaboration, Mixed media, mjbstudio, tom quest pottery, lebstudio, river theme, research, inspiration, inspired by prairie, inspired by rivers, Platte River

Recent posts

Featured
01.jpg
August 10, 2026
paintings arrived: Dhaka, Bangladesh
August 10, 2026
Read more →
August 10, 2026
IMG_4392.jpeg
July 31, 2026
Verdant, a group exhibit at MCC's Mule Barn Gallery
July 31, 2026
Read more →
July 31, 2026
IMG_3892.jpeg
July 31, 2026
Cathedral Arts invitational
July 31, 2026
Read more →
July 31, 2026
IMG_4240.jpeg
July 27, 2026
Wow, what a week!
July 27, 2026
Read more →
July 27, 2026
IMG_3928.jpeg
July 6, 2026
adventures for a lifelong learner
July 6, 2026
Read more →
July 6, 2026
ElliottBartle_WhenGrassesWhisper.jpeg
May 6, 2026
works off to another embassy!
May 6, 2026
Read more →
May 6, 2026
Spring open house May 1 and 2
April 14, 2026
Spring open house May 1 and 2
April 14, 2026
Read more →
April 14, 2026
Spring break 2026, part 2: Wichita, Lucas, Kearney
April 2, 2026
Spring break 2026, part 2: Wichita, Lucas, Kearney
April 2, 2026
Read more →
April 2, 2026
Spring break 2026, part 1: Los Angeles
April 2, 2026
Spring break 2026, part 1: Los Angeles
April 2, 2026
Read more →
April 2, 2026
IMG_2338.jpeg
March 2, 2026
Mythic/Heroic/Ancient
March 2, 2026
Read more →
March 2, 2026

Join my e-mail list
For updates on new work, exhibits, workshops and events, please join my e-mail list. 

Powered by Squarespace; © Lori Elliott-Bartle