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Lori Elliott-Bartle Studio

paintings, mixed media, handmade journals
  • artworks
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Works in progress, where I share what I'm working on and what I'm thinking about, and also show my Instagram feed. 

two 4x4" collages in the journal  with cyanotypes, handmade paper, india ink and vintage and mixed papers

#collage #collageart #lebstudio
In 2019 I traveled to Los Angeles, and among my favorite moments was the time I spent in one of Yayoi Kusama's infinity rooms at the Broad Museum @broadmsuart. Although I was immersed for literally 60 seconds, in that minute I felt suspended among st
works in progress: paintings on paper, some of which will get some collage elements

#oilpainting #mixedmedia #omahaartist #nebraskaartist #inspiredbyprairie #lebstudio
Please join me  Thursday for the  @castlecathedraloma art walk, featuring the opening reception for the Cathedral Arts Project invitational show at Sunderland Gallery, and check out two brand new collage paintings from me, including Sandhills Almanac
playing around in my sketchbook with a new palette from @theartofsoil that was discounted because the rounded paint pods prevent the lid from closing completely. That will be an easy fix -- I'll  use the pigments until they're flush with the palette
This painted ceramic "river-stone," a 6" component of the 23-foot-long installation "River" made with collaborators @joffebouska and @tomquestpottery, fell and broke. Over the years, several of these ceramic "stones&quot
front of the National Gallery east building, designed by I.M. Pei; image from washington.org

front of the National Gallery east building, designed by I.M. Pei; image from washington.org

inspired by travel; seeing modern art

October 2, 2019

it’s been a minute (8 weeks!) since I posted here, despite my resolve this summer to revive this writing practice and to establish a schedule for posts.

A recent trip to Washington, D.C., inspired me to get back to it — traveling seems to spark my desire to share experiences and ideas. Tagging along with my husband, who was attending a conference of scholars examining areas budget and finance in various levels of government, I spent a couple of days on my own exploring museums, monuments and neighborhoods.

No trip to D.C. would be complete for me without popping into some portion of the National Gallery, and this time I focused on the modern works in the east building, designed by I.M. Pei, spending much of my time in a sizable gallery dedicated to Mark Rothko. Looking closely at these color blocks, composed of many layers and variations, was both restorative and energizing. Here is an untitled oil painting on canvas he made in 1949.

Untitled, oil on canvas by Mark Rothko, 1949, photo from National Gallery web site

Untitled, oil on canvas by Mark Rothko, 1949, photo from National Gallery web site

After soaking in the Rothko paintings, I walked across the rooftop sculpture garden, was enchanted by a 15-foot-tall brilliant blue chicken, described in this Washington Post article from 2016,

Hahn/Cock by Katharina Fritsch. That cobalt blue just thrums! photo from Washington.org

Hahn/Cock by Katharina Fritsch. That cobalt blue just thrums! photo from Washington.org

and into another good-sized gallery, this one devoted to Alexander Calder. This collection of whimsy included the tiniest toys and large mobiles and I couldn’t stop smiling as I looked up and down and all around.

Cascading Flowers, painted metal, painted wire and wire, by Alexander Calder, 1949, photo from National Gallery web site

Cascading Flowers, painted metal, painted wire and wire, by Alexander Calder, 1949, photo from National Gallery web site

And this building was only my first destination that day!

Source: https://washington.org/dc-guide-to/nationa...
← portraits and booksthe flops, aka shitty first drafts →

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