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Lori Elliott-Bartle Studio

paintings, mixed media, handmade journals
  • artworks
  • About
    • bio
    • exhibits
    • resume
    • contact
    • video demo
  • Workshops
  • Blog: Works in progress

Works in progress, where I share what I'm working on and what I'm thinking about, and also show my Instagram feed. 

I’ve been making collages on cards for several years, primarily as a way to share something handmade with people dear to me. Here are some examples. Winter is the season when i make collage fodder, and it’s likely you’ll find me doi
These two mixed-media paintings weren't quite done before my show at @mingtoygallery opened in November, but they will be part of a small showcase on the second floor stair landing at @hotshopsartcenter in January displaying most of the large paintin
Thanks to everyone who came to Hot Shops over the weekend. I had some great conversations about art and life and helped a few pieces find new homes. Happy holidays to everyone and warm wishes for restful, peaceful and love-filled days ahead.
Back for day 2 of the @hotshopsartcenter open house 11-5 today. This piece -- Lunar Phases and Growth Stages, pages 10 and 11 -- is part of a series of paintings finished earlier this year. There are references to prairie, to seasonal cycles, to find
The ornament woodcuts are out for the season! I have three that are framed, but all these unframed handmade prints are also available in the studio this weekend. I'm still quite fond of the images with barbed wire, as they reflect a time when the hol
The studio is nearly ready for visitors to the @hotshopsartcenter open house this weekend. Most of the paintings from my recent solo show “Weirder, Wilder, Witchier” are hung along with one of the “incantations without words”
front of the National Gallery east building, designed by I.M. Pei; image from washington.org

front of the National Gallery east building, designed by I.M. Pei; image from washington.org

inspired by travel; seeing modern art

October 2, 2019

it’s been a minute (8 weeks!) since I posted here, despite my resolve this summer to revive this writing practice and to establish a schedule for posts.

A recent trip to Washington, D.C., inspired me to get back to it — traveling seems to spark my desire to share experiences and ideas. Tagging along with my husband, who was attending a conference of scholars examining areas budget and finance in various levels of government, I spent a couple of days on my own exploring museums, monuments and neighborhoods.

No trip to D.C. would be complete for me without popping into some portion of the National Gallery, and this time I focused on the modern works in the east building, designed by I.M. Pei, spending much of my time in a sizable gallery dedicated to Mark Rothko. Looking closely at these color blocks, composed of many layers and variations, was both restorative and energizing. Here is an untitled oil painting on canvas he made in 1949.

Untitled, oil on canvas by Mark Rothko, 1949, photo from National Gallery web site

Untitled, oil on canvas by Mark Rothko, 1949, photo from National Gallery web site

After soaking in the Rothko paintings, I walked across the rooftop sculpture garden, was enchanted by a 15-foot-tall brilliant blue chicken, described in this Washington Post article from 2016,

Hahn/Cock by Katharina Fritsch. That cobalt blue just thrums! photo from Washington.org

Hahn/Cock by Katharina Fritsch. That cobalt blue just thrums! photo from Washington.org

and into another good-sized gallery, this one devoted to Alexander Calder. This collection of whimsy included the tiniest toys and large mobiles and I couldn’t stop smiling as I looked up and down and all around.

Cascading Flowers, painted metal, painted wire and wire, by Alexander Calder, 1949, photo from National Gallery web site

Cascading Flowers, painted metal, painted wire and wire, by Alexander Calder, 1949, photo from National Gallery web site

And this building was only my first destination that day!

Source: https://washington.org/dc-guide-to/nationa...
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